The Hot Docs-Blue Ice Group Documentary Fund will provide successful applicants with a development grant of up to $10,000 CDN which could reflect up to 100 per cent of the development budget. Grant money must be spent in the region on development activities and pre-production. Eligible costs include research, development of a script and story proposal and production of a teaser or trailer. Other eligible costs may include production of pitch and marketing materials, community engagement strategy research, as well as distribution strategy research. Application deadline: August 18, 2017. Apply now: http://www.hotdocs.ca/i/hd-big-fund-how-to-apply#
Derek Freese Documentary Fund (DFDF) provides production support for feature-length documentary films that have both a strong narrative and compelling story, across a broad spectrum of subject matters. This award is given biennially (every other year) to an independent filmmaker and provides up to $35,000 in finishing funds. Deadline: June 12, 2017. More info: http://www.derekfreesefilm.org/fund.html
Open Call provides documentary funding and co-production support so you can complete your nonfiction work in progress, then air it on public television. Open until February 10, 2017 4:00 PM PST. https://itvs.org/funding
Grab your backstage pass and take a visceral immersion into the 1990s with one of its seminal grunge punk bands, L7. Pigeonholed as an all-female band despite their every effort, L7’s fierce members struggled against music industry and fan expectations even as they contended with questions of celebrity and success. Assembling a dynamic combination of never-before-seen home video footage, candid interviews, and raucous performances, director Sarah Price explores the rise and fall of the influential band. Filmmaker and members of L7 expected in attendance for a post-screening Q&A.
Date: Friday, February 17th, 2017
Location: Roxie Theater, SF
Time/Admission: 9:00PM / $12
The Sundance Documentary Film Program supports non-fiction filmmakers worldwide in the production of cinematic documentaries on contemporary themes. Established in 2002 with founding support from Open Society Foundations, the Program is a vibrant global resource for independent non-fiction storytelling. How to Apply: http://www.sundance.org/programs/documentary-film
Maya Angelou: And Still I Rise, premieres nationwide Tuesday, February 21 at 8 p.m. on PBS (check local listings) during Black History Month as part of the 31st season of THIRTEEN’s American Masters series.
Tribeca Film Institute, through its Gucci Tribeca Documentary Fund, will offer grants ranging from $10,000 – $25,000. The Gucci Tribeca Documentary Fund will provide funding to 6-10 feature-length documentaries that highlight and humanize issues of social importance from around the world. Funded films will be driven by thoughtful and in-depth storytelling, bolstered by a compelling visual approach. More than half of the fund will support projects about women and youth around the globe, and illuminate the ways they are working to improve their communities, their futures and the world.
Eligible films for the Gucci Tribeca Documentary Fund challenge the status quo not just as it pertains to subject matter, but also in form. Films should also be able to exist on multiple distribution platforms and resonate with a wide audience. We are seeking feature-length documentaries that are in advanced development, production or post-production with the intended premiere exhibition date after June 2017.
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The International Documentary Association is accepting applications for the creation of original, independent documentary films that illuminate pressing issues in the United States.Through the Pare Lorentz Documentary Fund, IDA will award production grants of up to $25,000 to up to a dozen projects that tell a compelling story and focus on one of Pare Lorentz’s central concerns — the appropriate use of the natural environment, justice for all, and/or the illumination of pressing social problems.
Projects must be in production at the time of application, with the bulk of research and development completed but still having substantial production or post-production related work and expenses remaining. Grant funds may be used for production and post-production related expenses incurred during the period of support. To be eligible, the applicant must be 18 years of age or older and be a producer and/or director of the submitted work. In addition, the applicant must be an independent filmmaker working on an original project. The applicant also should be an experienced filmmaker with at least one key above-the-line (producer, director, co-director, co-producer) or other principal creative (director of photography, editor) credit on a previously completed documentary.
IFP’s unique year-long mentorship program supports first-time feature directors when they need it most: through the completion, marketing, and distribution of their films. Focusing exclusively on low-budget features (<$1million), this highly immersive program provides filmmakers with the technical, creative and strategic tools necessary to launch their films – and their careers.
Through the Labs, IFP works to ensure that talented emerging voices receive the support, resources, and industry exposure necessary to reach audiences. Open to all first time feature documentary and narrative directors with films in post-production. 2016 Program Dates:
Time Warner Foundation Completion Lab
Documentary: May 9 -13, 2016
Narrative: May 23 – 27, 2016
DOCUMENTARY / Canada / 2016 / Documentary / 81 mins / English
In 1969, 400 students at Sir George Williams University in Montreal, Canada, occupied a computer lab to send a clear message to administrators: Mistreatment of students of color would not be tolerated. In particular, the core activists were of Caribbean descent, including students who had landed in Canada to study medicine.
The ensuing clash between student activists and police on the ninth floor lab made the events one of the most infamous acts of civil disobedience in Canadian history.
Director Mina Shum (DOUBLE HAPPINESS) brings a smart and unwavering sensibility to her first feature-length documentary. The film’s use of astounding archival footage brings viewers back in time, juxtaposed with interviews of the student leaders today and those on the administration’s side. Several of the activists became prominent leaders including Roosevelt “Rosie” Douglas, who became prime minister of Dominica and Anne Cools, the first black person to serve on Canada’s Senate.
Over four decades later, the lessons from the Sir George Williams events are still relevant in today’s climate of tenuous race relations in the US.